Four architects from Haworth Tompkins led an all-day workshop for year-six classes in conjunction with 15Billion EBP, an east-London charity dedicated to promoting social mobility and raising aspirations among young people. Edoardo Milli, Jonnie Rees, Charlotte Madgwick and Jerry van Veldhuizen spoke to the children from Handsworth Primary School in Waltham Forest about architecture; what an architect does and how buildings are designed taking into account considerations such as purpose and environmental concerns. Using the scale model of London at the NLA in the City Centre, they talked about the historical aspects of London architecture which was followed by a walking tour around Bank introducing the children to different architectural styles and asking them why they thought each building had been designed in the way it was. This is part of a week-long project during which they will design their own buildings using everything they have learned.
Haworth Tompkins has submitted applications for planning and listed building consent for a phased Masterplan for the Grade I listed De La Warr Pavilion in Bexhill.
Work has started on site for the new Studio Theatre at the Hexagon, Reading.
HT Associate Directors Hugo Braddick & Ken Okonkwo have been selected as Expert Assessors for the 2025 NLA Awards, in the Industrial & Logistics and Neighbourhoods & Areas cateogries. They, alongside their fellow assessors have been busy for the past couple of weeks reviewing the entries which will be presented to the shortlist jury who will select the final winners, commendations and special prizes, to be announced at the awards ceremony later this year. Run by New London Architecture with support from the Mayor of London, the Awards celebrate the people, places and projects shaping a more equitable, sustainable and prosperous London.
Haworth Tompkins has been shortlisted in three categories at this year's Building Design Architect of the Year Awards. The awards recognise architects for their commitment to providing a high-quality work environment and a consistent body of work rather than one-off projects. We're in the running for three categories; Best Architect Employer, Refurbishment & Reinvention and Higher Education for projects including Pembroke College, The Warburg Institute, Trinity Hall Masterplan, American Repertory Theater, King’s Cross Church and Malmö Stadsteater.
Haworth Tompkins is working with lead architects and masterplanners Maccreanor Lavington alongside Sergison Bates, Architecture Doing Place and East on the regeneration of the Aylesbury Estate in Southwark. The vast 28.5 hectare estate, one of Europe's largest, is being regenerated over a 30-year programme, providing 3500 new homes, of which over 50% will be affordable and prioritised for existing and former Aylesbury Estate residents.
Our appointment, through the Notting Hill Genesis Framework, delivers over 200 homes as part of Phase 2B, alongside a new neighbourhood park, with play areas, landscaping, and spaces for community use. Our plot includes a 25 Storey tower designed to maximise dual aspect homes.
Cllr Helen Dennis, Cabinet Member for New Homes and Sustainable Development, said: “I’m delighted to see these new high-quality, safe, and warm homes given the green light to go ahead on the Aylesbury Estate. It is vital that the estate renewal continues to progress, delivering affordable, decent housing and green spaces for Southwark residents, including existing Aylesbury residents and those on our housing waiting list."
Haworth Tompkins has been appointed by LDA Design to join the team shaping the new St George’s Gateway Framework – a major initiative to reimagine one of Liverpool’s most significant cultural and civic quarters. The project is being delivered in collaboration with Liverpool City Council, Liverpool John Moores University, and National Museums Liverpool, alongside a multidisciplinary team including WSP, Pegasus Group, Hatch, PLACED, and AspinallVerdi.
The framework will guide future development and investment across this vital city centre area, maximising public benefit and enhancing Liverpool’s unique cultural and heritage assets. It builds on recent transformational projects, such as the removal of the Churchill Way Flyovers, and seeks to place high-quality placemaking at the heart of the city’s future growth.
Lucy Picardo, Director at Haworth Tompkins, said: 'We’re delighted to be working with LDA Design and the wider team on such a significant piece of city-making. Liverpool holds a special place for us through our work on the Everyman Theatre, and we’re excited to bring our experience in cultural and heritage-led regeneration to this project. St George’s Gateway is a once-in-a-generation opportunity to shape a truly inclusive and vibrant civic space.'
Following our winning competition submission in summer 2024, Haworth Tompkins has been working closely with London Museum Docklands to explore opportunities at its site on West India Quay in Canary Wharf. London Museum Docklands is housed within a Grade 1 listed Georgian warehouse and is home to the Port & River collection, telling the long history of the capital as a port through stories of trade, enslavement and migration.
“We are thrilled to have been awarded this opportunity. It’s been a pleasure to work together with the team at London Museum Docklands over the last 6 months.” Lucy Picardo - Director, Haworth Tompkins.
Our design of the @sohoplace auditorium is embedded at the heart of the building and is the first new build West End theatre for 50 years. Responding to impresario Nica Burns’ vision for a truly adaptable, intimate 600 seat West End auditorium, Haworth Tompkins, Charcoalblue, Arup and TAIT designed an intense, sumptuous room with multiple possibilities for artists and audiences to explore.
The judges commented that 'one of the project’s highlights is the studio theatre auditorium space designed by Haworth Tompkins and managed by Nica Burns. This intimate space is protected from the cacophony of exhaust air from a Crossrail energy plant and yet the noise reduction measures mean that it is quieter than many of the capital’s grander theatres.
The exquisitely proportioned volume provides accessibility for small productions that would otherwise struggle to secure central London venues. Lobbies and circulation spaces wrap the auditorium box and break with theatre tradition through glass facades that intersect with chrome-clad columns to emit and reflect the theatre of movement into the surrounding streets.
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