References, reflections and studies capture the thinking, making and design stages within the studio
—We continue exploring modular methods of construction; at Blackwall Reach, facade panels have been entirely constructed off-site including window installation at the factory. Employing these methods often can result in significantly reduced build programmes, ensure more uniform quality control, and minimise wastage
—Workshop with Associate Director Beatie Blakemore and artist Alison Turnbull, who has undertaken a public art commission for our project with Pembroke College, Cambridge. The ceramic mosaic, within the new Tom Stuart-Smith designed courtyard garden, relates to Alison’s research into Alfred Waterhouse and his work with the College. The artwork will sit in the centre of York stone paving which has been designed to create a Voronoi pattern, contrasting the formal pathways around the site.
—Every year, Haworth Tompkins runs study trips to three different locations with rich architectural history, and invites everyone in the studio to come along. After these trips, we put together booklets to share with the practice what we have seen. Here is our record of 2017, and the three trips to Porto, Hamburg and Zurich. Click on the link, or the arrow, to view
—Competition image for a housing and estate regeneration scheme in London, seeking to retain existing podium play spaces at ground and their connection to the landscape beyond, whilst upgrading and extending the towers that define the edges of each open space. Ink drawing, coloured and textured in Photoshop
—This publication explores our process of retrofitting Kingston School of Art’s Mill Street Building. With its well preserved concrete and brick exterior, and fully functioning but inefficiently organised workshop spaces, this factory-like building proved the perfect starting point for a programme of adaptive re-use.
(download report)
—Facade planning process for Liverpool Everyman Theatre, using Dan Kenyon's portraits of people from across the city. The images were then cut from aluminium plates using water jet technology to create a functional shutter screen to provide light and shade to the building
—The flexible auditorium at the Bridge Theatre lends itself to a new seating arrangement. This layout allows for 250 socially distanced seats in clusters of 1-3, allowing audiences to come back to live theatre. Shown here - a production of An Evening with an Immigrant about to begin
—The structure of our two blocks at Blackwall Reach in Poplar topped out earlier this year. Looking north from the intersection of Cotton Street and Poplar High Street, the cranked massing and setbacks visually reduce the length and volume of the facades, while also allowing access to Millennium Green.